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Review by Joe McEwen, Rolling Stone, 1 June 1978
ONCE, WHEN I WAS FOURTEEN, I bought a copy of "My Dearest Darling" by Etta James, a record I'd heard as an oldie on a ...
Review by Norman Jopling, Peter Jones, Record Mirror, 11 May 1968
ETTA JAMES Tell Mama — 'Tell Mama'; 'I'd Rather Go Blind'; 'The Love Of My Man'; 'I'm Gonna Take What He's Got'; 'The Same Rope'; ...
Review by Carol Cooper, The Village Voice, 5 May 2009
I CALL THEM anachronauts: performers whose core appeal stems from their ability to transport listeners to another time and place. ...
Adele: The Great White Hype: Adele's 19
Review by Barney Hoskyns, Uncut, March 2008
SOME DAYS it feels like we've time-traveled back to the early Eighties, when every other month coughed up a new BEST WHITE SOUL VOICE YOU'VE ...
Review by Holly Gleason, Paste, 30 June 2011
WHEN YOU'RE BEYONCÉ KNOWLES, machining the sheets of throbbing summer singles — muscular anthems that merge thick modern R&B, hip-hop-inflected beats and enough female-empowerment lyric ...
Various Artists: Night Train To Nashville: Music City Rhythm & Blues, 1945-1976
Review by John Morthland, No Depression, 29 February 2004
Nashville really jumps, really jumps all night long I'd rather be in Nashville than to be way back down at home – Cecil Gant, 'Nashville Jumps' ...
Review by Tony Russell, MOJO, April 1997
CHICAGO IN THE FIRST DECADE after World War II spawned record labels like a salmon on fertility drugs. Many of them dealt with blues, some ...
Civil Wars, the: The Civil Wars: The Civil Wars
Review by Will Hermes, Rolling Stone, 1 August 2013
TAYLOR SWIFT disses exes with singalong choruses, Rihanna duets with her abusive beau, but no pop act makes outsize romantic dysfunction sound as extravagantly pretty ...
Diana Ross: Red Hot Rhythm And Blues
Review by Charles Shaar Murray, Q, July 1987
Miss Ross: not exactly on the front burner, but cooking nonetheless. ...
Civil Wars, the: The Civil Wars: The Civil Wars
Review by Holly Gleason, Paste, 6 August 2013
PRESSURE MAKES DIAMONDS — or coal dust. For The Civil Wars, the triple Grammy-winners whose stark acoustica shook pop music, it created both. Amongst their ...
Review by Holly Gleason, Paste, 22 May 2017
STRIP AWAY THE SOPRANOS, the Underground Garage, the bandana-clad Springsteen sidekick role, the hyper-political Sun City all-star single and what you get is a true ...
Alicia Keys: Songs in A Minor – Collector's Edition
Review by Lloyd Bradley, bbc.co.uk, 28 June 2011
Expanded 10th anniversary edition of a modern soul classic ...
Review by Gerrie Lim, Big O, April 2000
TO PUT IT MILDLY, the new year's most surprising new album has arrived. And it comes from Joni Mitchell, the woman who wrote Woodstock and ...
Our Native Daughters: Songs of Our Native Daughters
Review by Laura Barton, The Guardian, 21 February 2019
FOUR BLACK FEMALE BANJO PLAYERS wrestling with gender, race, slavery, sexual assault and the domination of the male gaze might make an admirable-if-arduous prospect, but ...
Muddy Waters: Chess Records Round-Up
Review by Charles Shaar Murray, Q, April 1990
THE NAME OF Chess Records spells "Chicago Blues" just as clearly as Levi's spells jeans, Zippo spells lighters and Special Brew spells headaches. ...
Steeleye Span: Parcel of Rogues (Chrysalis)
Review by Charles Shaar Murray, NME, 14 April 1973
IT WOULD be considerably more than a pity if Steeleye Span, that most English of bands, have to become superstars in the States before really ...
Review by Charlie Gillett, Cream, May 1971
THEY ALL AGREED, the people who went to see her on stage, that Janis had something special. The effect of her personality didnt come over ...
Various Artists: Take Me To The River – A Southern Soul Story 1961-1977
Review by Tony Burke, Blues & Rhythm, March 2009
"WHILE MOTOWN targeted its super-slick beat at teenagers, the much tougher Southern soul issued on labels such as Stax, Hi and Goldwax from Memphis; Fame ...
Review by Bob Fisher, NME, 1 January 1975
Black is busting out all over ...
Rod Stewart, T. Rex: Rod Stewart: Never A Dull Moment/T. Rex: The Slider
Review by Charles Shaar Murray, NME, 22 July 1972
TEENAGE TEARDROPS... Or, would you buy a used riff from these men? ...
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